Why a Script (and What a Script Isn't)
A script isn't a monologue you recite — it's a fixed sequence with proven lines at the moments that decide the case. The sequence matters more than the wording: discovery before presentation, the visual before the price, a next step before they stand up. Get the order right and your natural phrasing works fine.
The Opener: Hand Them the Microphone
Then stop talking. Whatever they say is the case. If they say "these two front teeth," the consultation is about those two teeth — not the full-arch plan you might see clinically. You can expand scope later; you can't recover from making the patient feel like a sales target in minute one.
Discovery: Three Questions, Then Stop
- 1"How long has this bothered you?" — establishes that the problem is real and old, in their own words.
- 2"Is there a moment coming up that made you book this — wedding, photos, job?" — surfaces the deadline that closes cases.
- 3"Have you looked into anything before? What stopped you?" — the answer to this is the objection you'll need to handle later. Note it.
The Pivot: Ask Permission to Show, Not Tell
This line does three jobs: it asks consent (which builds trust), it sets a tiny time expectation (which keeps attention), and it reframes the consultation from a lecture into a reveal. Take the frontal photo, generate the simulation, and review it yourself before turning the screen.
The Reveal: Say Nothing First
Turn the screen around and wait. The patient speaks first — always. Their unprompted reaction tells you exactly where the case stands, and anything you say before it steps on the moment. Then one question:
"Anything different" is not a threat to the case; it's the case advancing. A patient negotiating tooth shape has already accepted the premise. For bigger cases, follow with the video — watching themselves smile with the result lands harder than any still image.
Price: Anchor to the Face on the Screen
Three rules: the simulation stays on screen while you quote, the monthly figure arrives in the same sentence as the total, and the sentence ends with a question so the conversation keeps moving. Never quote a cosmetic case to a patient looking at a wall.
The Three Objections, Scripted
"It's too expensive."
"I need to think about it / talk to my spouse."
The simulation goes home with them, the follow-up gets a named day, and the spouse conversation now happens around an image instead of a number.
"Will it look fake?"
The Close: Book Before They Stand Up
A concrete, small, scheduled next step — offered as a choice between two times, not a yes/no. That's the whole close. Practices running this sequence with chairside simulation report 40–60% same-day acceptance on cosmetic cases.